lt;/span>小鬟燕赵<span class="q">韵</span>共舞雪歌尘<span class="q">句</span>醉里谈笑<span class="q">韵</span> 花色枝枝争好<span class="q">韵</span>鬓丝年年渐老<span class="q">韵</span>如今</span>
○○ ●●○○ ●○○● ●●●○○ ●●○● ○●○○○● ●○○○●● ○○
遇风景<span class="q">句</span>空瘦损<span class="q">读</span>向谁道<span class="q">韵</span>东君幸赐与<span class="q">句</span>天幕翠遮红绕<span class="q">韵</span>休休醉乡岐路<span class="q">句</span>华胥蓬岛<span class="q">韵
</span>●○● ○●● ●○● ○○●●● ○●●○○● ○○●○○● ○○○● </span>
·
此调只此一词,无别首可校。
</span>
</span>
八节长欢 调见《东堂词》。 </span>
八节长欢 <span class="q">双调九十八字,前段九句五平韵,后段八句五平韵</span> 毛 滂 </span>
名满人间<span class="q">韵</span>记黄金殿<span class="q">句</span>旧试清闲<span class="q">韵</span>才高鹦鹉赋<span class="q">句</span>风凛惠文冠<span class="q">韵</span>波涛何处试蛟鳄<span class="q">句</span>到白头<span class="q">读</span>犹守溪</span>
⊙●○○ ●○○● ●●○○ ○○⊙◎● ○●●○○ ○○○●●○◎ ●◎○ ⊙●○
山<span class="q">韵</span>且做龚黄样度<span class="q">句</span>留与人看<span class="q">韵</span> 桃溪柳曲阴圆<span class="q">韵</span>离唱断<span class="q">读</span>旌旗却卷春还<span class="q">韵</span>襦胯寄余温<span class="q">句</span>双石</span>
○ ●●○○●● ⊙●○○ ○○●●○○ ○●● ○○●●○○ ○●●○○ ○◎</span>
畔<span class="q">读</span>惟闻吏胆长寒<span class="q">韵</span>诗翁去<span class="q">句</span>谁细绕<span class="q">读</span>屈曲阑干<span class="q">韵</span>从今后<span class="q">读</span>南来幽梦<span class="q">句</span>应随月度云端<span class="q">韵
</span>● ⊙○●●○○ ○⊙● ⊙●◎ ●●○○ ○○● ○○○● ○⊙●●○○ </span>
·
此词平仄参下毛词别首,惟前段第八句句法不同,因不参校。
</span>
又一体 <span class="q">双调九十九字,前段九句五平韵,后段八句五平韵</span> 毛 滂 </span>
泽国秋深<span class="q">韵</span>绣楹天近<span class="q">句</span>坐久魂清<span class="q">韵</span>溪山绕尊酒<span class="q">句</span>云雾浥衣襟<span class="q">韵</span>余霞孤雁送乡愁<span class="q">句</span>寄寒闺<span class="q">读</span>一点离</span>
●●○○ ●○○● ●●○○ ○○●○● ○●●○○ ○○○●●○○ ●○○ ●●○
心<span class="q">韵</span>杜陵老<span class="q">读</span>两峰秀处<span class="q">句</span>短发疏巾<span class="q">韵</span> 佳人为折寒英<span class="q">韵</span>罗袖湿<span class="q">读</span>真珠露冷钿金<span class="q">韵</span>幽艳为谁妍<span class="q">句
</span>○ ●○● ●○●● ●●○○ ○○●●○○ ○●● ○○●●○○ ○●●○○
东篱下<span class="q">读</span>却教醉倒渊明<span class="q">韵</span>君但饮<span class="q">句</span>莫觑他<span class="q">读</span>落日芜城<span class="q">韵</span>从教夜<span class="q">读</span>龙山明月<span class="q">句</span>端的更解留人<span class="q">韵
</span>○○● ●○●●○○ ○●● ●●○ ●●○○ ○○● ○○○● ○●●●○○ </span>
·
此与前词同,惟前段第八句添一字异。
</span>
</span>
忆东坡 调见《相山居士词》,盖忆东坡作也,即以题为调名。 </span>
忆东坡 <span class="q">双调九十八字,前后段各九句,四仄韵</span> 王之道 </span>
雪霁柳舒容<span class="q">句</span>日薄梅摇影<span class="q">韵</span>新岁换符来天上<span class="q">句</span>初见颁桃梗<span class="q">韵</span>试问我酬君唱<span class="q">句</span>何如博塞欢娱<span class="q">句</span>百</span>
●●●○○ ●●○○● ○●●○○○● ○●○○● ●●●○○● ○○●●○○ ●
万呼卢胜<span class="q">韵</span>投珠报玉<span class="q">句</span>须放骚人遣春兴<span class="q">韵</span> 诗成谈笑<span class="q">句</span>写出无穷景<span class="q">韵</span>不妨时作颠草<span class="q">句</span>驰骋张</span>
●○○● ○○●● ○●○○●○● ○○○● ●●○○● ●○○●○● ○●○
芝圣<span class="q">韵</span>谁念杜陵野老<span class="q">句</span>心同流水西东<span class="q">句</span>,与物初无竞<span class="q">韵</span>公侯应有种哉<span class="q">句</span>倾否由天命<span class="q">韵
</span>○● ○●●○●● ○○○●○○ ●●○○● ○○○●●○ ○●○○● </span>
·
此相山自度曲,无别首可校。
</span>
</span>
粉蝶儿慢 调见《片玉词》。 </span>
粉蝶儿慢 <span class="q">双调九十八字,前段九句四仄韵,后段九句六仄韵</span> 周邦彦 </span>
宿雾藏春<span class="q">句</span>余寒带雨<span class="q">句</span>占得群芳开晚<span class="q">韵</span>艳姿初弄秀<span class="q">句</span>倚东风娇懒<span class="q">韵</span>隔叶黄鹂传好音<span class="q">句</span>唤入深丛</span>
●●○○ ○○●● ●●○○○● ●○○●● ●○○○● ●●○○○●○ ●●○○
中探<span class="q">韵</span>数枝新<span class="q">句</span>比昨朝<span class="q">读</span>又早红稀香浅<span class="q">韵</span> 眷恋<span class="q">韵</span>重来倚槛<span class="q">韵</span>当韶华<span class="q">读</span>未可轻辜双眼<span class="q">韵</span>赏心</span>
○● ●○○ ●●○ ●●○○○● ●● ○○●● ○○○ ●●○○○● ●○
随分乐<span class="q">句</span>有清尊檀板<span class="q">韵</span>每岁嬉游能几日<span class="q">句</span>莫使一声歌欠<span class="q">韵</span>忍因循<span class="q">读</span>一片花飞<span class="q">句</span>又成春减<span class="q">韵
</span>○●● ●○○○● ●●○○○●● ●●●○○● ●○○ ●●○○ ●○○● </span>
·
汲古阁刻,前段第四句脱一字,后结脱一字,今从《词纬》本增入。 此调只此一首,方千里、杨泽民、陈允平皆无和词,故平仄无可校。
</span>
</span>
并蒂芙蓉 《能改斋漫录》:政和癸已,大晟乐成,蔡京以晁端礼荐,诏乘驿赴阙。端礼至都,会禁中嘉莲生,遂属词以进,名《并蒂芙蓉》。 </span>
又一体 <span class="q">双调九十八字,前后段各九句,五仄韵</span> 晁端礼 </span>
太液波澄<span class="q">句</span>向鉴中照影<span class="q">句</span>芙蓉同蒂<span class="q">韵</span>千柄绿荷深<span class="q">句</span>并丹脸争媚<span class="q">韵</span>天心眷临圣日<span class="q">句</span>殿宇分明献嘉</span>
●●○○ ●●○●● ○○○● ○●●○○ ●○●○● ○○●○●● ●●○○●○
瑞<span class="q">韵</span>弄香嗅蕊<span class="q">韵</span>愿君王<span class="q">读</span>寿与南山齐比<span class="q">韵</span> 池边屡回翠辇<span class="q">句</span>拥群仙醉赏<span class="q">句</span>凭阑凝思<span class="q">韵</span>萼绿揽</span>
● ●○●● ●○○ ●●○○○● ○○●○●● ●○○●● ○○○● ●●●
飞琼<span class="q">句</span>共波上游戏<span class="q">韵</span>西风又看露下<span class="q">句</span>更结双双新莲子<span class="q">韵</span>斗妆竞美<span class="q">韵</span>问鸳鸯<span class="q">读</span>向谁留意<span class="q">韵
</span>○○ ●○●○● ○○●○●● ●●○○○○● ●○●● ●○○ ●○○● </span>
·
此调只此一词,无别首可校。
</span>
</span>
黄河清慢 《铁围山丛谈》云:宣和初,燕乐初成,八音告备,有曲名《黄河清》,音调极韶美,天下无问遐迩大小,皆争唱之。 </span>
黄河清慢 <span class="q">双调九十八字,前段八句五仄韵,后段八句四仄韵</span> 晁端礼 </span>
晴景初升风细细<span class="q">韵</span>云收天淡如洗<span class="q">韵</span>望外凤凰城阙<span class="q">句</span>葱葱佳气<span class="q">韵</span>朝罢香烟满袖<span class="q">句</span>侍臣报<span class="q">读</span>天颜有</span>
○●○○○●● ○○○●○● ●●●○○● ○○○● ○●○○●● ●○● ○○●
喜<span class="q">韵</span>夜来连得封章<span class="q">句</span>奏大河<span class="q">读</span>彻底清泚<span class="q">韵</span> 君王寿与天齐<span class="q">句</span>馨香动<span class="q">读</span>上穹频降祥瑞<span class="q">韵</span>大晟奏</span>
● ●○○●○○ ●●○ ●●○● ○○●●○○ ○○● ●○○●○● ●●●
功<span class="q">句</span>六乐初调角徵<span class="q">韵</span>合殿薰风乍转<span class="q">句</span>万花覆<span class="q">读</span>千官尽醉<span class="q">韵</span>内家传诏<span class="q">句</span>重开宴<span class="q">读</span>未央宫里<span class="q">韵
</span>○ ●●○○●● ●●○○●● ●○● ○○●● ●○○● ○○● ●○○● </span>
·
此调只此一词,无别首可校。
</span>
</span>
春草碧 调见《大声集》,自注中管高宫。按,《唐书·礼乐志》,有中管之名,而不详其义,至宋仁宋《乐髓新经》,始云大吕宫为高宫,太簇宫为中管高宫,盖以太簇宫与大吕宫同字谱,故谓之中管也,俗谱以中管高为调名者误。 姜夔集有太簇宫《喜迁莺》词,自注:俗呼中管高宫。 </span>
春草碧 <span class="q">双调九十八字,前段十一句四仄韵,后段十二句五仄韵</span> 万俟咏 </span>
又随芳绪生<span class="q">句</span>看翠连霁空<span class="q">句</span>愁满征路<span class="q">韵</span>东风里<span class="q">句</span>谁望断西塞<span class="q">句</span>恨迷南浦<span class="q">韵</span>天涯地角<span class="q">句</span>意不尽<span class="q">读</span>消</span>
●○○●○ ●●○●○ ○●○● ○○● ○●●○● ●○○● ○○●● ●●● ○
沈万古<span class="q">韵</span>曾是送别<span class="q">句</span>长亭下<span class="q">句</span>细绿暗烟雨<span class="q">韵</span> 何处<span class="q">韵</span>乱红铺绣茵<span class="q">句</span>有醉眠荡子<span class="q">句</span>拾翠游女<span class="q">韵</span>王</span>
○●● ○●●● ○○● ●●●○● ○● ●○○●○ ●●○●● ●●○● ○
孙远<span class="q">句</span>柳外共残照<span class="q">句</span>断云无语<span class="q">韵</span>池塘梦生<span class="q">句</span>谢公后<span class="q">读</span>还能继否<span class="q">韵</span>独上画楼<span class="q">句</span>春山暝<span class="q">句</span>雁飞去<span class="q">韵
</span>○● ●●●○● ●○○● ○○●○ ●○● ○○●● ●●●○ ○○● ●○● </span>
·
此词即咏春草,亦以题为调名。宋词仅见此首,无别首可校。
</span>
</span>
芰荷香 调见《大声集》。金词注双调。 </span>
芰荷香 <span class="q">双调九十八字,前段十句六平韵,后段十句五平韵</span> 万俟咏 </span>
小潇湘<span class="q">韵</span>正天影倒碧<span class="q">句</span>波面容光<span class="q">韵</span>水仙朝罢<span class="q">句</span>间列绿盖红幢<span class="q">韵</span>吹风细雨<span class="q">句</span>荡十顷<span class="q">读</span>浥浥清香<span class="q">韵</span>人</span>
●○○ ●○◎●● ⊙●○○ ●○○● ●◎◎●○○ ⊙○◎● ●◎◎ ◎●○○ ⊙
在水晶中央<span class="q">韵</span>霜绡雾穀<span class="q">句</span>襟袂收凉<span class="q">韵</span> 款放轻舟闹红里<span class="q">句</span>有蜻蜓点水<span class="q">句</span>交颈鸳鸯<span class="q">韵</span>翠阴密处<span class="q">句
</span>◎◎⊙○○ ⊙○●● ⊙●○○ ◎●○○●⊙● ●⊙○◎● ○●○○ ◎○◎●
曾觅相并青房<span class="q">韵</span>晚霞散绮<span class="q">句</span>泛远净<span class="q">读</span>一叶鸣榔<span class="q">韵</span>拟去尽促雕觞<span class="q">韵</span>歌云未断<span class="q">句</span>月上飞梁<span class="q">韵
</span>⊙◎⊙●○○ ⊙○◎● ●◎◎ ◎●○○ ◎◎●●○○ ○○●● ●●○○ </span>
·
宋人填此调者,句读悉同,惟换头句,或七字,或六字耳。此词换头句七字,朱敦儒、曹勋、赵以夫词,俱如此填。 按,曹词,前段第五句“暑气清度薰弦”,清字平声;第六句“母仪万国”,母字仄声,赵词“怀沙人问”,人字平声;赵词,第七句“二千年犹带酸风”,千字平声;朱词,第八句“六朝浪语繁华”,六字仄声,朝字平声,曹词“阴化从此俱宣”,从字平声;曹词,第九句“六宫内壶”,六字仄声;赵词,第十句“雅调惺松”,雅词仄声;朱词,后段第一句“无奈尊前万里客”,无字平声,里字仄声;赵词,第四句“新欢往恨”,新字平声;朱词,第五句“怕听叠鼓掺挝”,叠字仄声;第六句“江浮醉眼”,江字平声;赵词,第七句“且留连、休要怱怱”,留字平声;第八句“曲终泪湿琵琶”,终字平声。谱内可平可仄据此,余参下词。
</span>
又一体 <span class="q">双调九十七字,前段十句六平韵,后段十句五平韵</span> 赵彦端 </span>
燕初归<span class="q">韵</span>正春阴暗淡<span class="q">句</span>客意凄迷<span class="q">韵</span>玉觞无味<span class="q">句</span>晚花雨退凝脂<span class="q">韵</span>多情细柳<span class="q">句</span>对沈腰<span class="q">读</span>浑不胜衣<span class="q">韵</span>重</span>
●○○ ●○○●● ●●○○ ●○○● ●○●●○○ ○○●● ●●○ ○●○○ ○
别忍见离披<span class="q">韵</span>江南陌上<span class="q">句</span>强半红飞<span class="q">韵</span> 乐事从今一梦<span class="q">句</span>纵锦囊空在<span class="q">句</span>金椀谁挥<span class="q">韵</span>舞裙歌扇<span class="q">句</span>故</span>
○●●○○ ○○●● ○●○○ ●●○○●● ●●○○● ○●○○ ●○○● ●
应闲锁幽闺<span class="q">韵</span>练江诗就<span class="q">句</span>算檥舟<span class="q">读</span>宁不相思<span class="q">韵</span>肠断莫诉离杯<span class="q">韵</span>青云路稳<span class="q">句</span>白首心期<span class="q">韵
</span>○○●○○ ●○○● ●●○ ○●○○ ○●●●○○ ○○●● ●●○○ </span>
·
此词换头句减一字,与万俟词异。
</span>
</span>
绣停针 调见放翁词。 </span>
绣停针 <span class="q">双调九十八字,前段十句五仄韵,后段十句六仄韵</span> 陆 游 </span>
叹半纪<span class="q">句</span>跨万里秦吴<span class="q">句</span>顿觉衰谢<span class="q">韵</span>回首鸳行<span class="q">句</span>英俊并游<span class="q">句</span>咫尺玉堂金马<span class="q">韵</span>气凌嵩华<span class="q">韵</span>负壮略<span class="q">读</span>纵</span>
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横王霸<span class="q">韵</span>梦经洛浦梁园<span class="q">句</span>觉来泪流如泻<span class="q">韵</span> 山林定去也<span class="q">韵</span>却自恐说著<span class="q">句</span>少年时话<span class="q">韵</span>静院焚香<span class="q">句
</span>○○● ●○●●○○ ●○●○○● ○○●●● ●●●●● ●○○● ●●○○
闲倚素屏<span class="q">句</span>今古总成虚假<span class="q">韵</span>趁时婚嫁<span class="q">韵</span>幸自有<span class="q">读</span>湖边茅舍<span class="q">韵</span>燕归应笑<span class="q">句</span>客中又还过社<span class="q">韵
</span>○●●○ ○●●○○● ●○○● ●●● ○○○● ●○○● ●○●○●● </span>
·
宋人无填此词者,惟元《鸣鹤余音》,有于真人词一首,因词甚鄙俚,难以入谱参校,注明不录。
</span>
</span>
扬州慢 宋姜夔自度中吕宫曲。 </span>
扬州慢 <span class="q">双调九十八字,前段十句四平韵,后段九句四平韵</span> 姜 夔 </span>
淮左名都<span class="q">句</span>竹西佳处<span class="q">句</span>解鞍少驻初程<span class="q">韵</span>过春风十里<span class="q">句</span>尽荠麦青青<span class="q">韵</span>自戎马<span class="q">读</span>窥江去后<span class="q">句</span>废池乔</span>
⊙●○○ ◎○⊙● ◎○◎●○○ ●○○◎● ◎◎●○○ ●⊙● ○○◎● ◎○⊙
木<span class="q">句</span>犹厌言兵<span class="q">韵</span>渐黄昏<span class="q">读</span>清角吹寒<span class="q">句</span>都在空城<span class="q">韵</span> 杜郎俊赏<span class="q">句</span>算而今<span class="q">读</span>重到须惊<span class="q">韵</span>纵豆蔻词</span>
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工<span class="q">句</span>青楼梦好<span class="q">句</span>难赋深情<span class="q">韵</span>二十四桥仍在<span class="q">句</span>波心荡<span class="q">读</span>冷月无声<span class="q">韵</span>念桥边红药<span class="q">句</span>年年知为谁生<span class="q">韵
</span>○ ⊙○◎● ⊙●○○ ●●◎○○● ○○● ◎●○○ ●⊙○○● ⊙○⊙●○○ </span>
·
此词创自姜夔,应以此词为正体。赵以夫、李莱老词,俱如此填,若吴元可、郑觉斋词之句读小异,乃变格也。 按,李词,前段第三句“土花池冷无人”,池字平声;第五句“传暮革金城”,传字平声;第八句“肯堕珠尘”,肯字仄声;第九句“叹而今、杜郎还见”,郎字平声,见字仄声;后段第四句“绿屏梦杳”,绿字仄声。谱内可平可仄据此,余参吴、郑二词。 此词前段第四、五句,例作上一下四句法,如赵词“看冰花剪水,拥砌玉成球”,李词“听吹箫月底,传暮革金城”,皆然。
</span>
又一体 <span class="q">双调九十八字,前段十句四平韵,后段九句四平韵</span> 吴元可 </span>
露叶犹青<span class="q">句</span>岩花初动<span class="q">句</span>幽幽未似秋阴<span class="q">韵</span>似梅风<span class="q">读</span>带溽暑<span class="q">句</span>吹度长林<span class="q">韵</span>记当日<span class="q">读</span>西廊共月<span class="q">句</span>小屏轻</span>
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扇<span class="q">句</span>人语凉深<span class="q">韵</span>对清觞<span class="q">读</span>醉笑醒颦<span class="q">句</span>何似如今<span class="q">韵</span> 临风欲赋<span class="q">句</span>甚年来<span class="q">读</span>渐减狂心<span class="q">韵</span>为谁倚多</span>
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才<span class="q">句</span>难凭易感<span class="q">句</span>早付销沈<span class="q">韵</span>解事张郎风致<span class="q">句</span>鲈鱼好<span class="q">读</span>归听吴音<span class="q">韵</span>又夜阑闻笛<span class="q">句</span>故人忽到幽襟<span class="q">韵
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·
此与姜词同,惟前段第四、五句,作六字一句、四字一句异。
</span>
又一体 <span class="q">双调九十八字,前段十句四平韵,后段九句四平韵</span> 郑觉斋 </span>
弄玉轻盈<span class="q">句</span>飞琼淡泞<span class="q">句</span>袜尘步下迷楼<span class="q">韵</span>试新妆才了<span class="q">句</span>炷沈水香球<span class="q">韵</span>记晓剪<span class="q">读</span>春冰驰送<span class="q">句</span>金瓶露</span>
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湿<span class="q">句</span>缇骑新流<span class="q">韵</span>甚天中月色<span class="q">句</span>被风吹梦南州<span class="q">韵</span> 尊前相见<span class="q">句</span>似羞人<span class="q">读</span>踪迹萍浮<span class="q">韵</span>问弄雪飘</span>
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枝<span class="q">句</span>无双亭上<span class="q">句</span>何日重游<span class="q">韵</span>我欲腰缠骑鹤<span class="q">句</span>烟霄远<span class="q">读</span>旧事悠悠<span class="q">韵</span>但凭阑无语<span class="q">句</span>烟花三月春愁<span class="q">韵
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·
此与姜词同,惟前结作五字一句、六字一句异。按,詹正词,前结“付潇湘渔笛,吟残今古消沈”,正与此同。
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舞杨花 宋张端义《贵耳集》云:慈宁殿赏牡丹,时椒房受册,三殿极欢,上洞达音律,自制曲,赐名《舞杨花》,停觞命小臣赋词,俾贵人歌以侑玉巵为寿,左右皆呼万岁。 按,此词载康与之乐府,或与之应制拟作也。 </span>
舞杨花 <span class="q">双调九十八字,前段八句五平韵,后段九句五平韵</span> 康与之 </span>
牡丹半坼初经雨<span class="q">句</span>雕槛翠幕朝阳<span class="q">韵</span>困倚东风<span class="q">句</span>羞谢了群芳<span class="q">韵</span>洗烟凝露向清晓<span class="q">句</span>步瑶台<span class="q">读</span>月底霓</span>
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裳<span class="q">韵</span>轻笑淡拂宫黄<span class="q">韵</span>浅拟飞燕新妆<span class="q">韵</span> 杨柳啼鸦昼永<span class="q">句</span>正秋千庭馆<span class="q">句</span>风絮池塘<span class="q">韵</span>三十六宫<span class="q">句
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簪艳粉浓香<span class="q">韵</span>慈宁玉殿庆清赏<span class="q">句</span>占东君<span class="q">读</span>谁比君王<span class="q">韵</span>良夜万烛荧煌<span class="q">韵</span>影里留住年光<span class="q">韵
</span>○●●○○ ○○●●●○● ●○○ ○●○○ ○●●●○○ ●●○●○○ </span>
·
此调止有此词,无别首可校。 前段第四句、后段第五句,作上一下四句法,前段第五句、后段第六句第五字,必用仄声字,方成拗体,填者辨之。
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双双燕 调见《梅溪集》,词咏双燕,即以为名。 </span>
双双燕 <span class="q">双调九十八字,前段九句五仄韵,后段十句七仄韵</span> 史达祖 </span>
过春社了<span class="q">句</span>度帘幕中间<span class="q">句</span>去年尘冷<span class="q">韵</span>差池欲住<span class="q">句</span>试入旧巢相并<span class="q">韵</span>还相雕梁藻井<span class="q">韵</span>又软语<span class="q">读</span>商量不</span>
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定<span class="q">韵</span>飘然快拂花梢<span class="q">句</span>翠尾分开红影<span class="q">韵</span> 芳径<span class="q">韵</span>芹泥雨润<span class="q">韵</span>爱贴地争飞<span class="q">句</span>竞夸轻俊<span class="q">韵</span>红楼归晚<span class="q">句
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看足柳昏花暝<span class="q">韵</span>应是栖香正稳<span class="q">韵</span>便忘了<span class="q">读</span>天涯芳信<span class="q">韵</span>愁损翠黛双蛾<span class="q">句</span>日日画阑独凭<span class="q">韵
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·
此词平仄,参下吴词,惟前段老二句、后段第三句句法参差,因不校注。
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又一体 <span class="q">双调九十八字,前段九句四仄韵,后段十句七仄韵</span> 吴文英 </span>
小桃谢后<span class="q">句</span>双双燕<span class="q">句</span>飞来几家庭户<span class="q">韵</span>轻烟晓暝<span class="q">句</span>湘水暮云遥度<span class="q">韵</span>帘外余寒未卷<span class="q">句</span>共斜入<span class="q">读</span>红楼深</span>
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处<span class="q">韵</span>相将占得雕梁<span class="q">句</span>似约韶光留住<span class="q">韵</span> 堪举<span class="q">韵</span>翩翩翠羽<span class="q">韵</span>杨柳岸<span class="q">句</span>泥香半和梅雨<span class="q">韵</span>落花风软<span class="q">句
</span>● ○○●●○○ ●●○○○● ○● ○○●● ○●● ○○●○○● ●○○●
戏逐乱红飞舞<span class="q">韵</span>多少呢喃意绪<span class="q">韵</span>尽日向<span class="q">读</span>流莺分诉<span class="q">韵</span>还怜又过短墙<span class="q">句</span>谁会万千言语<span class="q">韵
</span>●●●○○● ○●○○●● ●●● ○○○● ○○●●●○ ○●●○○● </span>
·
此与史词同,惟前段第二句三字、第三句六字,后段第三句三字、第四句六字异。
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孤 鸾 调见朱敦儒《太平樵唱》。 </span>
孤 鸾 <span class="q">双调九十八字,前后段各九句,五仄韵</span> 朱敦儒 </span>
天然标格<span class="q">韵</span>是小萼堆红<span class="q">句</span>芳姿凝白<span class="q">韵</span>淡伫新妆<span class="q">句</span>浅点寿阳宫额<span class="q">韵</span>东君相留厚意<span class="q">句</span>借年年<span class="q">读</span>与传消</span>
⊙○○● ●◎●○○ ⊙○○● ●●○○ ●●◎○○● ○○●○●● ●○○ ●○○
息<span class="q">韵</span>昨日前村雪里<span class="q">句</span>有一枝先坼<span class="q">韵</span> 念故人<span class="q">读</span>何处水云隔<span class="q">韵</span>纵驿使相逢<span class="q">句</span>难寄春色<span class="q">韵</span>试问丹青</span>
● ◎●⊙○◎● ●●○○● ●◎○ ⊙●◎○● ●◎●○○ ⊙◎⊙● ●●○○
手<span class="q">句</span>是怎生描得<span class="q">韵</span>晓来一番雨过<span class="q">句</span>更那堪<span class="q">读</span>数声羌笛<span class="q">韵</span>归来和羹未晚<span class="q">句</span>劝行人休摘<span class="q">韵
</span>● ●◎○⊙● ◎○●○●● ●○○ ●○○● ⊙⊙⊙○◎● ●⊙○○● </span>
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此调始见《太平樵唱》,故首编此词,而以马词、赵词、张词类列。 此词前后段结句,例作上一下四句法,填者辨之。 按,张榘词,前后段第一句“塞鸿来早”,塞字仄声;第五句“一点阳和先到”,阳字平声;后段第一句“算巡檐、索共梅花笑”,索字仄声;第二句“是千古风流”,千字平声。谱内可平可仄据此,余参后诸词。
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又一体 <span class="q">双调九十八字,前后段各九句,五仄韵</span> 马庄父 </span>
沙堤香软<span class="q">韵</span>正宿雨初收<span class="q">句</span>落梅飘满<span class="q">韵</span>可奈东风<span class="q">句</span>暗逐马蹄轻卷<span class="q">韵</span>湖波又还涨绿<span class="q">句</span>粉墙阴<span class="q">读</span>日融烟</span>
○○○● ●●●○○ ●○○● ●●○○ ●●●○○● ○○●○●● ●○○ ●○○
暖<span class="q">韵</span>蓦地刺桐枝上<span class="q">句</span>有一声春唤<span class="q">韵</span> 任酒帘<span class="q">读</span>飞动画楼晚<span class="q">韵</span>便指数烧灯<span class="q">句</span>时节非远<span class="q">韵</span>陌上叫</span>
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声<span class="q">句</span>好是卖花行院<span class="q">韵</span>玉梅对妆雪柳<span class="q">句</span>闹蛾儿<span class="q">读</span>象生娇颤<span class="q">韵</span>归去争先戴取<span class="q">句</span>倚宝钗双燕<span class="q">韵
</span>○ ●●●○○● ●○●○●● ●○● ●○○● ○●○○●● ●●○○● </span>
·
此与朱词同,惟前后段第四句四字、第五句五字异。
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又一体 <span class="q">双调九十八字,前后段各九句,五仄韵</span> 赵以夫 </span>
江头春早<span class="q">韵</span>问江上寒梅<span class="q">句</span>占春多少<span class="q">韵</span>自照疏星冷<span class="q">句</span>只许春风到<span class="q">韵</span>幽香不知甚处<span class="q">句</span>但迢迢<span class="q">读</span>满河烟</span>
○○○● ●○●○○ ●○○● ●●○○● ●●○○● ○○●○●● ●○○ ●○○
草<span class="q">韵</span>回首谁家竹外<span class="q">句</span>有一枝斜好<span class="q">韵</span> 计当年<span class="q">读</span>曾共花前笑<span class="q">韵</span>念玉雪襟期<span class="q">句</span>有谁知道<span class="q">韵</span>唤起罗浮</span>
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梦<span class="q">句</span>正参横月小<span class="q">韵</span>凄凉更吹塞管<span class="q">句</span>漫相思<span class="q">读</span>鬓边惊老<span class="q">韵</span>待觅西湖半曲<span class="q">句</span>待霜天清晓<span class="q">韵
</span>● ●○○●● ○○●○●● ●○○ ●○○● ●●○○●● ●○○○● </span>
·
此即马词体,惟前后段第四、五句,俱作五字两句异。
</span>
又一体 <span class="q">双调九十八字,前段九句五仄韵,后段十句五仄韵</span> 张 榘 </span>
荆溪清晓<span class="q">韵</span>问昨夜南枝<span class="q">句</span>几分春到<span class="q">韵</span>一点幽芳<span class="q">句</span>不待陇头音耗<span class="q">韵</span>亭亭水边月下<span class="q">句</span>胜人间<span class="q">读</span>等闲花</span>
○○○● ●●●○○ ●○○● ●●○○ ●●●○○● ○○●○●● ●○○ ●○○
草<span class="q">韵</span>此际风流谁似<span class="q">句</span>有孏窝诗老<span class="q">韵</span> 且向虚檐<span class="q">句</span>淡然索笑<span class="q">韵</span>任雪压霜欺<span class="q">句</span>精神越好<span class="q">韵</span>最喜庭除</span>
● ●●○○○● ●●○○● ●●○○ ●○●● ●●●○○ ○○●● ●●○○
下<span class="q">句</span>映紫兰娇小<span class="q">韵</span>孤山好寻旧约<span class="q">句</span>况和羹<span class="q">读</span>用功宜早<span class="q">韵</span>移傍玉阶深处<span class="q">句</span>趁天香缭绕<span class="q">韵
</span>● ●●○○● ○○●○●● ●○○ ●○○● ○●●○○● ●○○○● </span>
·
此即朱词体,惟换头作四字两句异。
</span>
</span>
云仙引 冯伟寿自度曲,原注夹钟商。 </span>
云仙引 <span class="q">双调九十八字,前段十句四平韵,后段十一句五平韵</span> 冯伟寿 </span>
紫凤台旁<span class="q">句</span>红鸾镜里<span class="q">句</span>馡馡几度秋馨<span class="q">韵</span>黄金重<span class="q">句</span>绿云轻<span class="q">韵</span>丹砂鬓边滴粟<span class="q">句</span>翠叶玲珑烟剪成<span class="q">韵</span>含笑</span>
●●○○ ○○●● ○○●●○○ ○○● ●○○ ○○●○●● ●●○○○●○ ○●
出帘<span class="q">句</span>月香满袖<span class="q">句</span>天雾萦身<span class="q">韵</span> 年时花下逢迎<span class="q">韵</span>有游女<span class="q">读</span>翩翩如五云<span class="q">韵</span>乱掷芳英<span class="q">句</span>为簪斜朵<span class="q">句
</span>●○ ●○●● ○●○○ ○○○●○○ ●○● ○○○●○ ●●○○ ●○○●
事事关心<span class="q">韵</span>长向金风<span class="q">句</span>一枝在手<span class="q">句</span>嗅蕊悲歌双黛颦<span class="q">韵</span>绕临溪树<span class="q">句</span>对初弦月<span class="q">句</span>露下更深<span class="q">韵
</span>●●○○ ○●○○ ●○●● ●●○○○●○ ●○○● ●○○● ●●○○ </span>
·
此调只有此词,无别首可校。
</span>
</span>
玲珑玉 调见凤林书院元词,姚云文自度曲。 </span>
玲珑玉 <span class="q">双调九十八字,前段九句五平韵,后段十句四平韵</span> 姚云文 </span>
开岁春迟<span class="q">句</span>早赢得<span class="q">读</span>一白萧萧<span class="q">韵</span>风窗淅簌<span class="q">句</span>梦惊鸳帐春娇<span class="q">韵</span>是处貂裘透暖<span class="q">句</span>任尊前回舞<span class="q">句</span>红倦柔</span>
○●○○ ●○● ●●○○ ○○●● ●○○●○○ ●●○○●● ●○○○● ○●○
腰<span class="q">韵</span>今朝<span class="q">韵</span>亏陶家<span class="q">读</span>茶鼎寂寥<span class="q">韵</span> 料得东皇戏剧<span class="q">句</span>怕蛾儿街柳<span class="q">句</span>先斗元宵<span class="q">韵</span>宇宙低迷<span class="q">句</span>倩谁</span>
○ ○○ ○○○ ○●●○ ●●○○●● ●○○○● ○●○○ ●●○○ ●○
分<span class="q">读</span>浅凸深凹<span class="q">韵</span>休嗟空花无据<span class="q">句</span>便真个<span class="q">读</span>琼雕玉琢<span class="q">句</span>总是虚飘<span class="q">韵</span>且沈醉<span class="q">句</span>趁楼头<span class="q">读</span>零片未消<span class="q">韵
</span>○ ●●○○ ○○○○○● ●○● ○○●● ●●○○ ●○● ●○○ ○●●○ </span>
·
此调只有此词,无别首可校。 一本于“且沈醉”上多叠“虚飘”二字,今从凤林书院词订正。
</span>
</span>
陌上花 《东坡词话》:钱塘人好唱《陌上花》,缓缓曲,盖吴越王遗事也。调名取此。 </span>
陌上花 <span class="q">双调九十八字,前后段各八句,四仄韵</span> 张 翥 </span>
关山梦里归来<span class="q">句</span>还又岁华催晚<span class="q">韵</span>马影鸡声<span class="q">句</span>谙尽倦游荒馆<span class="q">韵</span>绿笺密
寄多情事<span class="q">句</span>一看一回肠断<span class="q">韵
</span>○○●●○○ ○●●○○● ●●○○ ○●●○○● ●○●●○○● ●●●○○●
待殷勤<span class="q">读</span>寄与旧游莺燕<span class="q">句</span>水流云散<span class="q">韵</span> 满罗衫<span class="q">读</span>是酒痕凝处<span class="q">句</span>唾碧啼红相半<span class="q">韵</span>只恐梅花<span class="q">句</span>瘦倚</span>
●○○ ●●●○○● ●○○● ●○○ ●●○○● ●●○○○● ●●○○ ●●
夜寒谁暖<span class="q">韵</span>不成便没相逢日<span class="q">句</span>重整钗鸾筝雁<span class="q">韵</span>但何郎<span class="q">读</span>纵有春风词笔<span class="q">句</span>病怀浑懒<span class="q">韵
</span>●○○● ●○●●○○● ○●○○○● ●○○ ●●○○○● ○○○● </span>
·
此调只此一词,无别首可校。
</span>
</span>
福寿千春 调见《花草粹编》。 </span>
福寿千春 <span class="q">双调九十八字,前段十句五仄韵,后段十一句五仄韵</span> 卢 挚 </span>
柳暗三眠<span class="q">句</span>蓂翻七荚<span class="q">韵</span>禀昴萧生时叶<span class="q">韵</span>信道凤毛池上种<span class="q">句</span>却胜河东鸑鷟<span class="q">韵</span>笃志典坟经旨<span class="q">句</span>素得</span>
●●○○ ○○●● ●●○○○● ●●●○○●● ●●○○●● ●●●○○● ●●
欧阳学<span class="q">韵</span>妙文章<span class="q">句</span>赴飞黄<span class="q">句</span>姓名即登雁塔<span class="q">韵</span> 要成发轫勋业<span class="q">韵</span>便先教济川<span class="q">句</span>整顿舟楫<span class="q">韵</span>兆朕</span>
○○● ●○○ ●○○ ●○●○●● ●○●●○● ●○○●○ ●●○● ●●
于今<span class="q">句</span>须从此超迁<span class="q">句</span>荣膺异渥<span class="q">韵</span>它日趣装事<span class="q">句</span>待还乡欢洽<span class="q">韵</span>颂椒觞<span class="q">句</span>祝遐算<span class="q">句</span>寿同龟鹤<span class="q">韵
</span>○○ ○○●○○ ○○●● ○●●○● ●○○○● ●○○ ●○● ●○○● </span>
·
此调只此一词,无别首可校。 前段第三句“禀昴萧生”,盖用萧何禀昴星之精,坊本以“萧”字为“肃”者误。
</span>
</span>
夏日燕黉堂 调见《乐府雅词》。 </span>
夏日燕黉堂 <span class="q">双调九十八字,前后段各十句,五平韵</span> <span class="q">《乐府雅词》</span>无名氏 </span>
日初长<span class="q">韵</span>正园林换叶<span class="q">句</span>瓜李飘香<span class="q">韵</span>帘外雨过<span class="q">句</span>送一霎微凉<span class="q">韵</span>萍芜径曲凝珠颗<span class="q">句</span>衬汀沙<span class="q">读</span>细簇蜂</span>
●○○ ●⊙○●● ⊙●○○ ○●●● ●●●○○ ○○◎●○○● ●○○ ●●○
房<span class="q">韵</span>被晚风轻飐<span class="q">句</span>圆荷翻水<span class="q">句</span>泼觉鸳鸯<span class="q">韵</span> 此景最难忘<span class="q">韵</span>趁芳樽泛蚁<span class="q">句</span>筠簟铺湘<span class="q">韵</span>兰舟棹</span>
○ ●◎○⊙● ○○⊙● ◎●○○ ◎●●○○ ◎○○●● ○●○○ ⊙○●
稳<span class="q">句</span>倚何处垂杨<span class="q">韵</span>岂能文字成狂饮<span class="q">句</span>更红裙<span class="q">读</span>间也何妨<span class="q">韵</span>任醉归明月<span class="q">句</span>虾须帘卷<span class="q">句</span>几线余霜<span class="q">韵
</span>● ◎⊙●○○ ◎○⊙●○○● ●⊙○ ○●○○ ●●○⊙● ⊙○○● ●●○○ </span>
·
此词平仄参下赵词。
</span>
又一体 <span class="q">双调九十九字,前后段各十句,五平韵</span> 赵必象 </span>
赤城中<span class="q">韵</span>奏鹤笙一曲<span class="q">句</span>玉佩丁东<span class="q">韵</span>蒲节后七日<span class="q">句</span>宴翠阆琼宫<span class="q">韵</span>年年王母来称寿<span class="q">句</span>醉蟠桃<span class="q">读</span>几度东</span>
●○○ ●●○●● ●●○○ ○●●●● ●●●○○ ○○○●○○● ●○○ ●●○
风<span class="q">韵</span>簇花间五马<span class="q">句</span>轻裘短帽<span class="q">句</span>雪鬓吟翁<span class="q">韵</span> 魁宿耀三雍<span class="q">韵</span>曾归车共载<span class="q">句</span>非虎非熊<span class="q">韵</span>急流勇退<span class="q">句
</span>○ ●○○●● ○○●● ○●○○ ○●●○○ ○○○●● ○●○○ ●○●●
渊底卧骊龙<span class="q">韵</span>山中不用官三品<span class="q">句</span>垫角巾<span class="q">读</span>人慕林宗<span class="q">韵</span>记亳州旧事<span class="q">句</span>画鸱夷子<span class="q">句</span>献与茶公<span class="q">韵
</span>○●●○○ ○○●●○○● ●●○ ○●○○ ●●○●● ●○○● ●●○○ </span>
·
此与无名氏词同,惟前段第四句添一字异。
</span>
</span>
水晶帘 调见《翰墨全书》。 </span>
水晶帘 <span class="q">双调九十八字,前后段各十句,五仄韵</span> <span class="q">《翰墨全书》</span>无名氏 </span>
谁道秋期远<span class="q">韵</span>计旬浃<span class="q">读</span>双星相见<span class="q">韵</span>雨足西帘<span class="q">句</span>正玉井莲开<span class="q">句</span>几筵初展<span class="q">韵</span>麈尾呼风袢暑净<span class="q">句</span>那更</span>
○●○○● ●○● ○○○● ●●○○ ●●●○○ ●○○● ●●○○○●● ●●
著<span class="q">读</span>纶巾羽扇<span class="q">韵</span>殢清歌<span class="q">句</span>不记杯行<span class="q">句</span>任深任浅<span class="q">韵</span> 湖边小池苑<span class="q">韵</span>渐苔痕草色<span class="q">句</span>青青如染<span class="q">韵</span>辨</span>
● ○○●● ●○○ ●●○○ ●○●● ○○●○● ●○○●● ○○○● ●
橘中荷屋<span class="q">句</span>晚方自占<span class="q">韵</span>蜗角虚名身外事<span class="q">句</span>付骰子<span class="q">读</span>纷纷戏选<span class="q">韵</span>喜时平<span class="q">句</span>公道开明<span class="q">句</span>话头正转<span class="q">韵
</span>●○○● ●○●● ○●○○○●● ●○● ○○●● ●○○ ○●○○ ●○●● </span>
·
此调只此一词,无别首可校。
</span>
</span>
三部乐 调见东坡词。按,《唐书·礼乐志》:明皇分乐为二部,堂下立奏,谓之立部伎;堂上坐奏,谓之坐部伎;又酷爱法曲,选坐部伎弟子子弟三百,教于梨园,为法曲部。三部之名,疑出于此。 </span>
三部乐 <span class="q">双调九十九字,前段十句五仄韵,后段九句六仄韵</span> 苏 轼 </span>
美人如月<span class="q">韵</span>乍见掩暮云<span class="q">句</span>更增妍绝<span class="q">韵</span>算应无恨<span class="q">句</span>安用阴晴圆缺<span class="q">韵</span>娇羞甚<span class="q">读</span>空只成愁<span class="q">句</span>待下床又</span>
●○○● ●●●●○ ●○○● ●○○● ○●○○○● ○○● ○●○○ ●●○●
懒<span class="q">句</span>未语先咽<span class="q">韵</span>数日不来<span class="q">句</span>落尽一庭红叶<span class="q">韵</span> 今朝猛起置酒<span class="q">句</span>问为谁减动<span class="q">句</span>一分香雪<span class="q">韵</span>何事</span>
● ●●○● ●●●○ ●●●○○● ○○●●●● ●●○●● ●○○● ○●
散花却病<span class="q">句</span>维摩无疾<span class="q">韵</span>却低眉<span class="q">读</span>惨然不答<span class="q">韵</span>唱金缕<span class="q">读</span>一声怨切<span class="q">韵</span>堪折便折<span class="q">韵</span>且惜取<span class="q">读</span>少年花发<span class="q">韵
</span>●○●● ○○○● ●○○ ●○●● ●○● ●○●● ○●●● ●●● ●○○● </span>
·
此词前段起句、后段第八句,俱用韵,宋人无如此填者,故谱内可平可仄,详注周词之下,以有方、杨和词及陈亮、吴文英两词可校也。
</span>
又一体 <span class="q">双调九十九字,前段十句四仄韵,后段九句五仄韵</span> 周邦彦 </span>
浮玉飞琼<span class="q">句</span>向邃馆静轩<span class="q">句</span>倍增清绝<span class="q">韵</span>夜窗垂练<span class="q">句</span>何用交光明月<span class="q">韵</span>近闻道<span class="q">读</span>官阁多梅<span class="q">句</span>趁暗香未</span>
○●○○ ●◎●◎○ ●○○● ◎○○● ⊙●○○○● ◎⊙● ○●○○ ●●○●
远<span class="q">句</span>冻蕊初发<span class="q">韵</span>倩谁折取<span class="q">句</span>寄赠情人桃叶<span class="q">韵</span> 回文近传锦字<span class="q">句</span>道为君瘦损<span class="q">句</span>是人都说<span class="q">韵</span>祗知</span>
● ●⊙○● ●⊙●◎ ◎●⊙○○● ⊙○◎⊙◎◎ ●◎○●● ●○○● ◎⊙
染红著手<span class="q">句</span>膠梳黏发<span class="q">韵</span>转思量<span class="q">读</span>镇长堕睫<span class="q">韵</span>都只为<span class="q">读</span>情深意切<span class="q">韵</span>欲报消息<span class="q">句</span>无一句<span class="q">读</span>堪喻愁结<span class="q">韵
</span>●○●● ○○○● ●○○ ●○●● ⊙◎● ⊙○●● ◎●●● ⊙◎● ⊙◎○● </span>
·
此词前段起句、后段第八句,俱不用韵,宋人俱如此填。 按,陈亮词,前段第二句“但三满三平”,两三字俱平声;第四句“人中龙虎”,人字平声;第六句“只合是端坐王朝”,合字仄声;结句“聊过旧家宫室”,聊字平声;后段第二句“把征衫著上”,征字平声,谱内可平可仄据此,余参苏、方、吴三词。
</span>
又一体 <span class="q">双调九十九字,前段十句四仄韵,后段九句五仄韵</span> 方千里 </span>
帘卷窗明<span class="q">句</span>听杜宇乍啼<span class="q">句</span>漏声初绝<span class="q">韵</span>乱云收尽<span class="q">句</span>天际留残月<span class="q">韵</span>奈相送<span class="q">读</span>行客将归<span class="q">句</span>怅去程渐促<span class="q">句
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霁色催发<span class="q">韵</span>断魂别浦<span class="q">句</span>自上孤舟如叶<span class="q">韵</span> 悠悠音信易隔<span class="q">句</span>纵怨怀恨语<span class="q">句</span>到见时难说<span class="q">韵</span>堪嗟水</span>
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流急景<span class="q">句</span>霜飞华发<span class="q">韵</span>想家山<span class="q">读</span>路穷望睫<span class="q">韵</span>空倚杖<span class="q">读</span>魂亲梦切<span class="q">韵</span>不似嫩朵<span class="q">句</span>犹能替<span class="q">读</span>离绪千结<span class="q">韵
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此和周邦彦词,惟前段第五句减一字,后段第三句添一字异。按,杨泽民词,前段第五句“正是甤宾月”,后段第二、三句“试寻双寄意,向丽人低说”,与此同。
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又一体 <span class="q">双调九十九字,前段十句四仄韵,后段九句五仄韵</span> 吴文英 </span>
江鶂初飞<span class="q">句</span>荡万里素云<span class="q">句</span>霁空如沐<span class="q">韵</span>
咏情吟思<span class="q">句</span>不在秦筝金屋<span class="q">韵</span>夜潮上<span class="q">读</span>明月芦花<span class="q">句</span>傍钓蓑梦</span>
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远<span class="q">句</span>句清敲玉<span class="q">韵</span>翠罂汲晓<span class="q">句</span>欸乃一声秋曲<span class="q">韵</span> 片篷障雨乘风<span class="q">句</span>半竿渭水<span class="q">句</span>伴鹭汀幽宿<span class="q">韵</span>那知暖</span>
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袍挟锦<span class="q">句</span>低帘笼烛<span class="q">韵</span>鼓春波<span class="q">读</span>载花万斛<span class="q">韵</span>帆鬣转<span class="q">读</span>银河可掬<span class="q">韵</span>风定浪息<span class="q">句</span>苍茫外<span class="q">读</span>天浸寒绿<span class="q">韵
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此与周词同,惟前段第二句四字,第三句五字异。
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梦扬州 宋秦观自制曲,取词中结句为名。 </span>
梦扬州 <span class="q">双调九十九字,前后段各十句,五平韵</span> 秦 观 </span>
晚云收<span class="q">韵</span>正柳塘花坞<span class="q">句</span>烟雨初休<span class="q">韵</span>燕子未归<span class="q">句</span>恻恻轻寒如秋<span class="q">韵</span>小阑干外东风软<span class="q">句</span>透绣帏<span class="q">读</span>阴密香</span>
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稠<span class="q">韵</span>江南远<span class="q">句</span>人今何处<span class="q">句</span>鹧鸪啼破春愁<span class="q">韵</span> 长记曾陪燕游<span class="q">韵</span>酬妙舞清歌<span class="q">句</span>丽锦缠头<span class="q">韵</span>殢酒困</span>
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花<span class="q">句</span>十载因谁淹留<span class="q">韵</span>醉鞭拂面归来晚<span class="q">句</span>望翠楼<span class="q">读</span>帘卷金钩<span class="q">韵</span>佳会阻<span class="q">句</span>离情正乱<span class="q">句</span>频梦扬州<span class="q">韵
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此调只此一词,无别首可校。 汲古阁本,起结皆有脱误,今依《词纬》订正。