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<td>
目 录 <span class="q">二十五调五十五体,
起九十六字至九十七字</span>
塞垣春四体</span>
望云间一体
步 月二体
早梅香一体
八声甘州七体<span class="q">又名甘州、萧萧雨、宴瑶池</span>
迷神引二体</span>
醉蓬莱二体<span class="q">又名雪月交光、冰玉风月</span>
凤凰台上忆吹箫六体<span class="q">又名忆吹箫
</span>夜合花五体</span>
采明珠一体
庆清朝四体<span class="q">又名庆清朝慢</span>
黄鹂绕碧树一体
帝台春一体
瑶台第一层三体
暗 香二体<span class="q">又名红情</span>
梦芙蓉一体</span>
西子妆慢一体
玉京谣一体
被花恼一体
绿盖舞风轻一体
月边娇一体
松梢月一体
四槛花一体
长亭怨慢四体
玉簟凉一体</span>
</span>
塞垣春 调见《片玉词》。</span>
塞垣春<span class="q"> 双调九十六字,前段九句六仄韵,后段八句四仄韵</span> 周邦彦</span>
暮色分平野<span class="q">韵</span>傍苇岸<span class="q">读</span>征帆卸<span class="q">韵</span>烟村极浦<span class="q">句</span>树藏孤馆<span class="q">句</span>秋景如画<span class="q">韵</span>渐别离气味难禁也<span class="q">韵</span>更物象<span class="q">读
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供潇洒<span class="q">韵</span>念多才<span class="q">读</span>浑衰减<span class="q">句</span>一怀幽恨难写<span class="q">韵</span> 追念绮窗人<span class="q">句</span>天然自<span class="q">读</span>风韵闲雅<span class="q">韵</span>竟夕起相思<span class="q">句
</span>○○● ●○○ ○○● ●○○●○● ⊙●●○○ ○○● ○●○● ●●●○○
漫嗟怨遥夜<span class="q">韵</span>又还将<span class="q">读</span>两袖珠泪<span class="q">句</span>沈吟向<span class="q">读</span>寂寥寒灯下<span class="q">韵</span>玉骨为多感<span class="q">句</span>瘦来无一把<span class="q">韵
</span>◎○●○● ●○○ ◎●○● ○○● ●○○○● ◎●●○● ●○○●●
·
此调以此词为正体,若方、杨和词之减字,吴词之添字,皆变体也。 按,陈允平词,与此句韵悉同,惟后段第四句“啼螀叹凉夜”,不作上一下四句法,其“啼”字平声,亦与此异。其余可平可仄,悉校方、杨、吴三词。 吴词,后段第二句“看争拜东风”,因与此词字句不同,故不参校平仄。
</span>
又一体<span class="q"> 双调九十五字,前段九句六仄韵,后段八句四仄韵</span> 方千里</span>
四远天垂野<span class="q">韵</span>向晚景<span class="q">读</span>雕鞍卸<span class="q">韵</span>吴蓝滴草<span class="q">句</span>塞绵藏柳<span class="q">句</span>风物堪画<span class="q">韵</span>对雨收雾霁初晴也<span class="q">韵</span>正陌上<span class="q">读
</span>●●○○● ●●● ○○● ○○●● ●○○● ○●○● ●●○●●○○● ●●●
烟光洒<span class="q">韵</span>听黄鹂<span class="q">读</span>啼红树<span class="q">句</span>短长音如写<span class="q">韵</span> 怀抱几多愁<span class="q">句</span>年时趁<span class="q">读</span>欢会幽雅<span class="q">韵</span>尽日足相思<span class="q">句</span>奈</span>
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春昼难夜<span class="q">韵</span>念征尘<span class="q">读</span>堆满襟袖<span class="q">句</span>那堪更<span class="q">读</span>独游花阴下<span class="q">韵</span>一别鬓毛减<span class="q">句</span>镜中霜满把<span class="q">韵
</span>○●○● ●○○ ○●○● ○○● ●○○○● ●●●○● ●○○●●
·
此与周词同,惟前段结句减一字异。《词律》谓此句必脱一字,但按杨泽民词,亦作五字句,或宋人另有此体,故为编入。
</span>
又一体<span class="q"> 双调九十五字,前段九句六仄韵,后段九句四仄韵</span> 杨泽民</span>
绣阁临芳野<span class="q">韵</span>向晚把<span class="q">读</span>花枝卸<span class="q">韵</span>奇容艳质<span class="q">句</span>世间寻觅<span class="q">句</span>除是图画<span class="q">韵</span>这欢娱已系人心也<span class="q">韵</span>更翰墨<span class="q">读
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亲挥洒<span class="q">韵</span>展蛮笺<span class="q">读</span>明窗底<span class="q">句</span>把心事都写<span class="q">韵</span> 谢女与檀郎<span class="q">句</span>清才对真态俱雅<span class="q">韵</span>凤枕乐春宵<span class="q">句</span>绛帷</span>
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度秋夜<span class="q">韵</span>便同云黯淡<span class="q">句</span>冰霰纵横<span class="q">句</span>也共眠<span class="q">读</span>鸳衾下<span class="q">韵</span>假使过炎暑<span class="q">句</span>共将罗帕把<span class="q">韵
</span>○●○● ●○○●● ○●○○ ●●○ ○○● ●●●○○ ●○○●●
·
此亦与周词同,惟前段结句减一字,后段第五、六句作五字、四字、六字三句异。
</span>
又一体<span class="q"> 双调九十八字,前段九句六仄韵,后段十句四仄韵</span> 吴文英</span>
漏瑟侵琼管<span class="q">韵</span>润鼓借<span class="q">读</span>烘炉暖<span class="q">韵</span>藏钩怯冷<span class="q">句</span>画鸡临晓<span class="q">句</span>邻语莺啭<span class="q">韵</span>殢绿窗<span class="q">读</span>细咒浮梅盏<span class="q">韵</span>换蜜</span>
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炬<span class="q">读</span>花心短<span class="q">韵</span>梦惊回<span class="q">读</span>林鸦起<span class="q">句</span>曲屏春事天远<span class="q">韵</span> 迎路柳丝裙<span class="q">句</span>看争拜东风<span class="q">句</span>盈灞桥岸<span class="q">韵
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髻落宝钗寒<span class="q">句</span>恨花胜迟燕<span class="q">韵</span>渐街帘影转<span class="q">句</span>还似新年<span class="q">句</span>过邮亭<span class="q">读</span>一相见<span class="q">韵</span>南陌又灯火<span class="q">句</span>绣囊尘香</span>
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浅<span class="q">韵</span>
●
·
此亦与周词同,惟后段第二句添二字,作五字一句、四字一句,其第五、六句,亦作五字、四字、六字三句异。 后段结句“香”字平声,查别首宋词,此字俱用仄声,恐非定格,故周词不注可平。
</span>
</span>
望云间 调见《翰墨全书》,赵可登代州南楼,自度此腔。</span>
望云间<span class="q"> 双调九十六字,前后段各十句,四平韵</span> 赵 可</span>
云朔南陲<span class="q">句</span>全赵宝符<span class="q">句</span>河山襟带名藩<span class="q">韵</span>有朱楼缥缈<span class="q">句</span>千雉回旋<span class="q">韵</span>云度飞孤绝险<span class="q">句</span>天围紫塞高寒<span class="q">韵
</span>○●○○ ○●●○ ○○○●○○ ●○○●● ○●○○ ○●○○●● ○○●●○○
吊兴亡遗迹<span class="q">句</span>咫尺西陵<span class="q">句</span>烟树苍然<span class="q">韵</span> 时移事改<span class="q">句</span>极目春心<span class="q">句</span>不堪独倚危阑<span class="q">韵</span>惟是年年飞雁<span class="q">句
</span>●○○○● ●●○○ ○●○○ ○○●● ●●○○ ●○●●○○ ○●○○○●
霜雪知还<span class="q">韵</span>楼上四时长好<span class="q">句</span>人生一世谁闲<span class="q">韵</span>故人有酒<span class="q">句</span>一尊高兴<span class="q">句</span>不减东山<span class="q">韵
</span>○●○○ ○●●○○● ○○●●○○ ●○●● ●○○● ●●○○
·
此调惟此一词,无别首可校。
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</span>
步 月 此调有平韵、仄韵两体。平韵者,见史达祖《梅溪词》;仄韵者,见施岳《梅川词》。</span>
步 月<span class="q"> 双调九十六字,前段九句四平韵,后段十句五平仄韵</span> 史达祖</span>
剪柳章台<span class="q">句</span>问梅东阁<span class="q">句</span>醉中携手初归<span class="q">韵</span>逗香帘下<span class="q">句</span>瑞璨缕金衣<span class="q">韵</span>正依约<span class="q">读</span>冰丝射眼<span class="q">句</span>更荏苒<span class="q">读</span>蟾</span>
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玉西飞<span class="q">韵</span>轻尘外<span class="q">读</span>双鸳细蹙<span class="q">句</span>谁赋洛滨妃<span class="q">韵</span> 霏霏<span class="q">韵</span>红雾绕<span class="q">句</span>步摇共鬓影<span class="q">句</span>吹入花围<span class="q">韵</span>管弦将</span>
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散<span class="q">句</span>人静烛笼稀<span class="q">韵</span>泥私语<span class="q">读</span>香樱乍破<span class="q">句</span>怕夜寒<span class="q">读</span>罗袜先知<span class="q">韵</span>归来也<span class="q">句</span>相偎未肯入重帏<span class="q">韵
</span>● ○●●○○ ●○● ○○●● ●●○ ○●○○ ○○● ○○●●●○○
·
此词押平韵,前结七字一句、五字一句,后结三字一句、七字一句,换头句藏短韵,较仄韵词多二字,前段少押一韵。
</span>
又一体<span class="q"> 双调九十四字,前后段各九句,五仄韵</span> 施 岳</span>
玉宇薰风<span class="q">句</span>宝阶明月<span class="q">韵</span>翠丛万点晴雪<span class="q">韵</span>炼霜不就<span class="q">句</span>散广寒霏屑<span class="q">韵</span>采珠蓓<span class="q">读</span>绿萼露滋<span class="q">句</span>嗔银艳<span class="q">读</span>小</span>
●●○○ ●○○● ●○●●○● ●○●● ●●○○● ●○● ●●●○ ○○● ●
莲冰洁<span class="q">韵</span>花魂在<span class="q">读</span>纤指嫩痕<span class="q">句</span>素英重结<span class="q">韵</span> 枝头香未绝<span class="q">韵</span>还是过中秋<span class="q">句</span>丹桂时节<span class="q">韵</span>醉乡冷境<span class="q">句
</span>○○● ○○● ○●●○ ●○○● ○○○●● ○●●○○ ○●○● ●○●●
怕翻成消歇<span class="q">韵</span>玩芳味<span class="q">读</span>春焙旋熏<span class="q">句</span>贮秾韵<span class="q">读</span>水沈频爇<span class="q">韵</span>堪怜处<span class="q">句</span>输与夜凉睡蝶<span class="q">韵
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·
此词押仄韵,前结七字一句、四字一句,后结三字一句、六字一句,较平韵词少两字,前段次句押韵,换头句不押短韵,而押于句末,较平韵词多一韵。
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</span>
早梅香 调见《梅苑》,因词中有“探得早梅”及“乱飞香雪”句,故名。</span>
早梅香<span class="q"> 双调九十六字,前段十一句四仄韵,后段十句四仄韵</span> <span class="q">《梅苑》</span>无名氏</span>
北帝收威<span class="q">句</span>又探得早梅<span class="q">句</span>漏春消息<span class="q">韵</span>粉蕊琼苞<span class="q">句</span>拟将胭脂<span class="q">句</span>轻染颜色<span class="q">韵</span>素质盈盈<span class="q">句</span>终不许<span class="q">读</span>雪霜</span>
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欺得<span class="q">韵</span>奈化工<span class="q">句</span>偏宜赋与<span class="q">句</span>寿阳妆饰<span class="q">韵</span> 独自逞冰姿<span class="q">句</span>比夭桃繁杏殊别<span class="q">韵</span>为报山翁<span class="q">句</span>逢此有</span>
○● ●●○ ○○●● ●○○● ●●●○○ ●○○○●○● ●●○○ ○●●
花<span class="q">句</span>樽前且须攀折<span class="q">韵</span>醉赏吟恋<span class="q">句</span>莫辜负<span class="q">读</span>好天风月<span class="q">韵</span>恐笛声悲<span class="q">句</span>纷纷便似<span class="q">句</span>乱飞香雪<span class="q">韵
</span>○ ○○●○○● ●●○● ●○● ●○○● ●●○○ ○○●● ●○○●
·
此调只此一词,无别首可校。
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</span>
八声甘州 《碧鸡漫志·甘州》,仙吕调,有曲破,有八声,有慢,有令。按,此调前后段八韵,故名《八声》,乃慢词也,与《甘州遍》之曲破,《甘州子》之令词不同。《乐章集》亦注仙吕调。周密词名《甘州》;张炎词因柳词有“对萧萧暮雨洒江天”句,更名《萧萧雨》;白朴词,名《宴瑶池》。</span>
八声甘州<span class="q"> 双调九十七字,前后段各九句,四平韵</span> 柳 永</span>
对潇潇暮雨洒江天<span class="q">句</span>一番洗清秋<span class="q">韵</span>渐霜风凄紧<span class="q">句</span>关河冷落<span class="q">句</span>残照当楼<span class="q">韵</span>是处红衰翠减<span class="q">句</span>苒苒物</span>
●⊙○◎●●○○ ◎⊙●○○ ●⊙○⊙● ⊙○◎● ⊙●○○ ◎●⊙○◎● ◎●●
华休<span class="q">韵</span>惟有长江水<span class="q">句</span>无语东流<span class="q">韵</span> 不忍登高临远<span class="q">句</span>望故乡渺渺<span class="q">句</span>归思难收<span class="q">韵</span>叹年来踪迹<span class="q">句</span>何</span>
○○ ⊙●⊙○● ⊙●○○ ◎●⊙○⊙● ●◎○◎● ⊙●○○ ●⊙○⊙● ⊙
事苦淹留<span class="q">韵</span>想佳人<span class="q">读</span>妆楼长望<span class="q">句</span>误几回<span class="q">读</span>天际识归舟<span class="q">韵</span>争知我<span class="q">读</span>倚阑干处<span class="q">句</span>正恁凝愁<span class="q">韵
</span>●●○○ ●⊙⊙ ⊙●⊙● ●◎○ ⊙●●○○ ○○● ◎○⊙● ◎●○○
·
此调以此词为正体,若张词之添声,刘过以下五词之减字,皆变体也。 按,此词后段第六句,作上三下四句法,宋词俱照此填,惟程垓词“纵使梁园赋犹在”,句法异,注明不另录。 周密词,前段起二句“渐萋萋芳草绿江南,轻晖弄春容”芳字平声;后段起句“还是春光梦晓”,还字平声,谱内可平据此,其余平仄,悉参所采六词。 萧词,前段起句“可怜生飘零到酴醿”,零字平声;郑词,后段第四句“赖东君能容”,容字平声,与诸家不同,此自成一体,谱内不注可平。
</span>
又一体<span class="q"> 双调九十七字,前段九句五平韵,后段九句四平韵</span> 张 炎</span>
记玉关踏雪事清游<span class="q">韵</span>寒气脆貂裘<span class="q">韵</span>傍枯林古道<span class="q">句</span>长河饮马<span class="q">句</span>此意悠悠<span class="q">韵</span>短梦依然江表<span class="q">句</span>老泪洒</span>
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西州<span class="q">韵</span>一字无题处<span class="q">句</span>落叶都愁<span class="q">韵</span> 载取白云归去<span class="q">句</span>问谁留楚佩<span class="q">句</span>弄影中洲<span class="q">韵</span>折芦花赠远<span class="q">句</span>零</span>
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落一身秋<span class="q">韵</span>向寻常<span class="q">读</span>野桥流水<span class="q">句</span>待招来<span class="q">读</span>不是旧沙鸥<span class="q">韵</span>空怀感<span class="q">读</span>有斜阳处<span class="q">句</span>却怕登楼<span class="q">韵
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·
此与柳词同,惟前段起句押韵异。
</span>
又一体<span class="q"> 双调九十五字,前段八句四平韵,后段九句四平韵</span> 刘 过</span>
问紫岩去后汉公卿<span class="q">句</span>不知几貂蝉<span class="q">韵</span>谁能借留侯箸<span class="q">句</span>著祖生鞭<span class="q">韵</span>依旧尘沙万里<span class="q">句</span>河洛黯风烟<span class="q">韵</span>谁</span>
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识道山客<span class="q">句</span>衣钵曾传<span class="q">韵</span> 共记玉堂对策<span class="q">句</span>欲先明大义<span class="q">句</span>次第筹边<span class="q">韵</span>况重湖八桂<span class="q">句</span>袖手已多</span>
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年<span class="q">韵</span>望中原<span class="q">读</span>驱驰去也<span class="q">句</span>拥十州<span class="q">读</span>牙纛正翩翩<span class="q">韵</span>春风早<span class="q">读</span>看东南王气<span class="q">句</span>飞绕星躔<span class="q">韵
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·
此与柳词同,惟前段第三、四句减三字,作六字一句,后段第八句添一字、作八字句异。
</span>
又一体<span class="q"> 双调九十五字,前后段各九句,四平韵</span> 汤 恢</span>
摘青梅荐酒<span class="q">句</span>甚残寒<span class="q">读</span>犹怯苎萝衣<span class="q">韵</span>正柳腴花瘦<span class="q">句</span>绿云冉冉<span class="q">句</span>红雪霏霏<span class="q">韵</span>隔屋秦筝依约<span class="q">句</span>谁品春</span>
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词<span class="q">韵</span>回首繁华梦<span class="q">句</span>流水斜晖<span class="q">韵</span> 寄隐孤山山下<span class="q">句</span>但一瓢饮水<span class="q">句</span>深掩苔扉<span class="q">韵</span>羡青山有思<span class="q">句</span>白鹤忘</span>
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机<span class="q">韵</span>怅年华<span class="q">读</span>不禁搔首<span class="q">句</span>又天涯<span class="q">读</span>弹泪送春归<span class="q">韵</span>销魂远<span class="q">读</span>千山啼鴃<span class="q">句</span>十里酴醿<span class="q">韵
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·
此与柳词同,惟前段第一句五字,第二句八字,第七句减一字、作四字句,后段第五句亦减一字、作四字句异。
</span>
又一体<span class="q"> 双调九十五字,前段九句四平韵,后段十句四平韵</span> 萧 列</span>
可怜生<span class="q">读</span>飘零到酴醿<span class="q">句</span>依然旧销魂<span class="q">韵</span>残春几许<span class="q">句</span>风风雨雨<span class="q">句</span>客里又黄昏<span class="q">韵</span>无奈一江烟雾<span class="q">句</span>腥浪卷</span>
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河豚<span class="q">韵</span>身世忽如叶<span class="q">句</span>那是清晖<span class="q">韵</span> 莫厌悲歌笑语<span class="q">句</span>奈天涯有梦<span class="q">句</span>白发无根<span class="q">韵</span>怕相思别后<span class="q">句</span>无字</span>
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写回文<span class="q">韵</span>更月明洲渚<span class="q">句</span>杜鹃声里<span class="q">句</span>立向临分<span class="q">韵</span>三生石<span class="q">读</span>情缘千里<span class="q">句</span>风月柴门<span class="q">韵
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·
此亦与柳词同,惟前段第三句减一字,第五句添一字,后段第六、七句减二字,作五字一句、四字两句异。
</span>
又一体<span class="q"> 双调九十八字,前段九句五平韵,后段九句四平韵</span> 姚云文</span>
卷丝丝<span class="q">读</span>雨织半晴天<span class="q">韵</span>棹歌发清舷<span class="q">韵</span>甚苍虯怒跃<span class="q">句</span>灵鼍急吼<span class="q">句</span>云涌平川<span class="q">韵</span>楼外榴裙几点<span class="q">句</span>描破绿</span>
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杨烟<span class="q">韵</span>把画罗遥指<span class="q">句</span>助啸争先<span class="q">韵</span> 憔悴潘郎<span class="q">句</span>曾记得<span class="q">读</span>青龙千舸<span class="q">句</span>采石矶边<span class="q">韵</span>叹内家帖子<span class="q">句</span>闲</span>
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却缕金笺<span class="q">韵</span>觉素标<span class="q">读</span>插头如许<span class="q">句</span>尽风情<span class="q">读</span>终不似斗赢船<span class="q">韵</span>人声断<span class="q">读</span>云斋半掩<span class="q">句</span>月印枯禅<span class="q">韵
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·
此亦与柳词同,惟前段起句八字、添一韵,与张炎“记玉关”词同,后段起句四字,第二句七字,第七句九字,添一衬字异。
</span>
又一体<span class="q"> 双调九十六字,前后段各九句,四平韵</span> 郑子玉</span>
渐莺声近也<span class="q">句</span>探年芳<span class="q">读</span>河畔扼轻轮<span class="q">韵</span>旋东风染绿<span class="q">句</span>绵绵平野<span class="q">句</span>无际烟春<span class="q">韵</span>最苦夕阳天外<span class="q">句</span>愁损倚</span>
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阑人<span class="q">韵</span>无奈潇湘杳<span class="q">句</span>留滞王孙<span class="q">韵</span> 冷落池塘残梦<span class="q">句</span>是送君归后<span class="q">句</span>南浦销魂<span class="q">韵</span>赖东君能容<span class="q">句</span>醉卧</span>
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展香裀<span class="q">韵</span>尽教更<span class="q">读</span>行人远也<span class="q">句</span>相伴连水复连云<span class="q">韵</span>关山道<span class="q">读</span>算无今古<span class="q">句</span>客恨长新<span class="q">韵
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·
此亦与柳词同,惟后段第七句减一字,作七字拗句异。
</span>
</span>
迷神引 《乐章集》注:中吕调。</span>
迷神引<span class="q"> 双调九十七字,前段十一句六仄韵,后段十三句六仄韵</span> 柳 永</span>
红板桥头秋光暮<span class="q">韵</span>淡月映烟方煦<span class="q">韵</span>寒溪蘸碧<span class="q">句</span>绕垂杨路<span class="q">韵</span>重分飞<span class="q">句</span>携纤手<span class="q">句</span>泪如雨<span class="q">韵</span>波急隋堤</span>
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远<span class="q">句</span>片帆举<span class="q">韵</span>倏忽年华改<span class="q">句</span>向期阻<span class="q">韵</span> 暗觉春残<span class="q">句</span>渐渐飘花絮<span class="q">韵</span>好晚凉天<span class="q">句</span>长孤负<span class="q">韵</span>洞房</span>
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闲掩<span class="q">句</span>小屏空<span class="q">读</span>无心觑<span class="q">韵</span>指归云<span class="q">句</span>仙乡杳<span class="q">句</span>在何处<span class="q">韵</span>遥夜香衾暖<span class="q">句</span>算谁与<span class="q">韵</span>知他深深约<span class="q">句</span>记得</span>
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否<span class="q">韵</span>
●
·
此调以此词为正体,有柳词别首可校。若朱词之多押两韵,乃变体也。 此词前段起句“桥头秋光”四字,俱平声,如柳词别首“一叶扁舟轻帆卷”,朱词“白玉楼高云光绕”,俱与此同,惟晁补之词“黯黯青山红日暮”,日字以入作平;后段第十三句“知他深深”四字,俱平声,柳词别首“佳人无消息”,朱词“飞英难拘束”,俱与此同,惟晁词“烛暗不成眠”,烛字、不字以入作平,暗字去声独异,至前段第四句、后段第三句,俱作上一下三句法,如柳词别首之“引金笳怨”、“觉客程劳”,朱词之“霁梅林道,觉璧华轻”,晁词之“向烟波路,党阮途穷”,俱与此同。 晁词,前段第八、九句“几点渔灯小,迷近坞”,几字、近字俱仄声,迷字平声。谱内可平可仄据此,余参朱词。又,晁词,前段第十句“一片客帆低”,后段第七句“怪竹枝”,第十句“猿鸟一时啼”,第十二句“烛暗不成眠”,客字、竹字以入作平,不注可仄,其低字、啼字、眠字俱用平声,与诸家异,亦不注可平。 晁词句读,正与此同,因汲古阁刻晁词前段第四句,多一“回”字,后段第八句多一“声”字,《词律》误编入九十九字内,若以柳词二首、朱词一首参校,便可正其句读矣。
</span>
又一体<span class="q"> 双调九十七字,前段十一句八仄韵,后段十三句六仄韵</span> 朱 雍</span>
白玉楼高云光绕<span class="q">韵</span>望极新蟾同照<span class="q">韵</span>前村暮雪<span class="q">句</span>霁梅林道<span class="q">韵</span>涧风平<span class="q">句</span>波声渺<span class="q">韵</span>喜登眺<span class="q">韵</span>疏影寒枝</span>
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袅<span class="q">韵</span>太春早<span class="q">韵</span>临水凝清浅<span class="q">句</span>靓妆巧<span class="q">韵</span> 瘦体伤离<span class="q">句</span>向此萦怀抱<span class="q">韵</span>觉璧华轻<span class="q">句</span>冰痕小<span class="q">韵</span>倦听</span>
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塞管<span class="q">句</span>转呜咽<span class="q">读</span>令人老<span class="q">韵</span>素光回<span class="q">句</span>长亭静<span class="q">句</span>无尘到<span class="q">韵</span>烟销横塘暖<span class="q">句</span>香径悄<span class="q">韵</span>飞英难拘束<span class="q">句</span>任春</span>
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晓<span class="q">韵</span>
●
·
此与柳词同,惟前段第六句、第八句押韵异。
</span>
</span>
醉蓬莱 《乐章集》注:林钟商。赵磻老词,有“璧月流光,雪消寒峭”句,名《雪月交光》;韩淲词,有“玉作山前,冰为水际,几多风月”句,名《冰玉风月》。</span>
醉蓬莱<span class="q"> 双调九十七字,前段十一句四仄韵,后段十二句四仄韵</span> 柳 永</span>
渐亭皋叶下<span class="q">句</span>陇首云飞<span class="q">句</span>素秋新霁<span class="q">韵</span>华阙中天<span class="q">句</span>锁葱葱佳气<span class="q">韵</span>嫩菊黄深<span class="q">句</span>拒霜红浅<span class="q">句</span>近宝阶香</span>
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砌<span class="q">韵</span>玉宇无尘<span class="q">句</span>金茎有露<span class="q">句</span>碧天如水<span class="q">韵</span> 正值升平<span class="q">句</span>万几多暇<span class="q">句</span>夜色澄鲜<span class="q">句</span>漏声迢递<span class="q">韵</span>南极</span>
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星中<span class="q">句</span>有老人呈瑞<span class="q">韵</span>此际宸游<span class="q">句</span>凤辇何处<span class="q">句</span>度管弦清脆<span class="q">韵</span>太液波翻<span class="q">句</span>披香帘卷<span class="q">句</span>月明风细<span class="q">韵
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·
此调以此词为正体,若苏词之句读小异,乃变格也。 此词前段起句、第五句、第八句,后段第六句、第九句,例作上一下四句法,惟刘圻父词,前段第五句“一点和羹信”,第八句“瑞启千年运”,后段第九句“万宇同歌咏”,又王沂孙词,前段第八句“聊慰登临眼”,后段第六句“谁念幽芳远”,仍作五言,俱无领字,此亦间一为之,不可从。 前段第一句,刘一止词“正五云飞仗”,五字仄声,飞字平声;第三句,吕渭老词“裙腰芳草”,裙字平声;第四句,万俟咏词“绛烛银灯”,绛字仄声;第五句,黄庭坚词“锁楚宫佳丽”,楚字仄声;第六句,刘圻父词“淮海维扬”,淮字平声;第七句,谢薖词“归心暗折”,归字平声,暗字仄声;第八句,杨无咎词“冠中州双井”,中字平声;第九句,赵彦端词“东阁诗成”,东字平声;第十句,谢词“锦袍何处”,锦字仄声,何字平声;结句,刘词“高空真侣”,高字平声;后段第一、二句,万俟词“金阙南边,采山北面”,金字平声,北字仄声,谢词“好在南邻,诗盟酒社”,诗字平声;第三句,叶梦得词“弦管风高”,弦字平声;第五句,叶词“曲水流觞”,曲字仄声;第六句,叶词“有山中行处”,山字平声;第八句,无名氏词“山中古寺”,山中二字俱平声,古字仄声;第九句,赵磻老词“映山河多少”,山字平声;第十句、十一句,万俟词“太平无事,君臣宴乐”,平字平声,事字、宴字俱仄声;结句,叶词“重翻新曲”,重字平声。谱内可平可仄据此,余参苏词。至前段第三句,杨无咎词“地灵境胜”,境字仄声;第四句,陈瓘词“狼山相望”,山字平声,望字仄声,无名氏词“小雨弄晴”,弄字仄声;第六句,万俟词“明月逐人”,逐字入声;后段第四句,赵词“笑花寂寞”,寂字入声;第六句,无名氏词“作江南一瑞”,一字入声;结句,谢词“又成浩叹”,浩字仄声。或以入作平,或偶然误用,俱不校注平仄。
</span>
又一体<span class="q"> 双调九十七字,前后段各十一句,四仄韵</span> 苏 轼</span>
笑劳生一梦<span class="q">句</span>羇旅三年<span class="q">句</span>又还重九<span class="q">韵</span>华发萧萧<span class="q">句</span>对荒园搔首<span class="q">韵</span>赖有多情<span class="q">句</span>好饮无事<span class="q">句</span>似古人贤</span>
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守<span class="q">韵</span>岁岁登高<span class="q">句</span>年年落帽<span class="q">句</span>物华依旧<span class="q">韵</span> 此会应须烂醉<span class="q">句</span>仍把紫菊茱萸<span class="q">句</span>细看重嗅<span class="q">韵</span>摇落霜</span>
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风<span class="q">句</span>有手栽双柳<span class="q">韵</span>来岁今朝<span class="q">句</span>为我西顾<span class="q">句</span>酹羽觞江口<span class="q">韵</span>会与州人<span class="q">句</span>饮公遗爱<span class="q">句</span>一江醇酎<span class="q">韵
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·
此与柳词同,惟换头四字三句,作六字两句异。 此词前段第七句,“饮”字仄声,查宋词此字无用仄声者,或是“吟”字之讹,故前谱内不注可仄。
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凤凰台上忆吹箫 《列仙传拾遗》云:萧史善吹箫,作鸾凤之声,秦穆公有女弄玉,善吹箫,公以妻之,遂教弄玉作凤鸣,居十数年,凤凰来止,公为作凤台,夫妇止其上,数年,弄玉乘凤,萧史乘龙去。调名取此。《高丽史·乐志》一名《忆吹箫》。</span>
凤凰台上忆吹箫<span class="q"> 双调九十七字,前段十句四平韵,后段九句四平韵</span> 晁补之</span>
千里相思<span class="q">句</span>况无百里<span class="q">句</span>何妨暮往朝还<span class="q">韵</span>又正是<span class="q">读</span>梅初淡伫<span class="q">句</span>莺未绵蛮<span class="q">韵</span>陌上相逢缓辔<span class="q">句</span>风细细<span class="q">读
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云日斑斑<span class="q">韵</span>新晴好<span class="q">句</span>得意未妨<span class="q">句</span>行尽青山<span class="q">韵</span> 应携后房小妓<span class="q">句</span>来为我<span class="q">句</span>盈盈对舞花间<span class="q">韵</span>便拌</span>
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却<span class="q">读</span>松醪翠满<span class="q">句</span>蜜炬红残<span class="q">韵</span>谁信轻鞍射虎<span class="q">句</span>清世里<span class="q">读</span>曾有人闲<span class="q">韵</span>都休说<span class="q">句</span>帘外夜久春寒<span class="q">韵
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·
此调以晁词为正体,若曹词以下,或添声、或减字,皆变体也。 此词前后段第四句,皆上三下四七字,前结三字一句、四字两句,后结三字一句、六字一句,权无染、侯寘、张炎、彭履道词,俱如此填。 按,张词,前段第四句“犹记得、琵琶半面”,犹字平声;权词,后段第一句“应是飞琼弄玉”,飞字平声;侯词,第二、三句“湘裙窄,一钩龙麝随鞍”,一字仄声,龙字平声;彭词,第八、九句“石城晓,数声又递寒砧”,石字仄声。谱内可平可仄据此,余参下词。惟张台卿词,起二句平仄全异,故不校注。
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又一体<span class="q"> 双调九十七字,前段十句四平韵,后段十句五平韵</span> 曹 勋</span>
碧玉烟塘<span class="q">句</span>绛罗艳卉<span class="q">句</span>朱清炎驭升阳<span class="q">韵</span>正应运<span class="q">读</span>真人诞节<span class="q">句</span>宝绪灵光<span class="q">韵</span>海宇均颁湛露<span class="q">句</span>环佩拱<span class="q">读
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北极称觞<span class="q">韵</span>欢声浃<span class="q">句</span>三十六宫<span class="q">句</span>齐奉披香<span class="q">韵</span> 芬芳<span class="q">韵</span>宝熏如霭<span class="q">句</span>仙仗捧<span class="q">读</span>椒扉秀绕嫔嫱<span class="q">韵</span>上万</span>
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寿<span class="q">读</span>双鬟妙舞<span class="q">句</span>一部丝簧<span class="q">韵</span>花满蓬莱殿里<span class="q">句</span>光照坐<span class="q">读</span>尊俎生凉<span class="q">韵</span>南山祝<span class="q">句</span>常对化日舒长<span class="q">韵
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·
此词句读悉同晁词,惟换头句藏短韵异。
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又一体<span class="q"> 双调九十七字,前段十句四平韵,后段九句四平韵</span> 张台卿</span>
长天霞散<span class="q">句</span>远浦潮平<span class="q">句</span>危阑注目江皋<span class="q">韵</span>长记年年荣遇<span class="q">句</span>同是今朝<span class="q">韵</span>金銮两回命相<span class="q">句</span>对清光<span class="q">读</span>频许</span>
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挥毫<span class="q">韵</span>雍容久<span class="q">句</span>正茶杯初赐<span class="q">句</span>香袖时飘<span class="q">韵</span> 归去玉堂深夜<span class="q">句</span>泥封罢<span class="q">句</span>金莲一寸才烧<span class="q">韵</span>帝语丁宁</span>
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曾被<span class="q">句</span>华衮亲褒<span class="q">韵</span>如今漫劳梦想<span class="q">句</span>叹尘迹<span class="q">读</span>杳隔仙鳌<span class="q">韵</span>无聊意<span class="q">句</span>强当歌对酒怎消<span class="q">韵
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·
此与晁词同,惟前后段第四句各减一字,第九句各添一字异。 此词前段起二句第二字,平仄与各家异,若起句作第二句,便与晁词同,恐有传写之讹,故不汇校入图。
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又一体<span class="q"> 双调九十六字,前段十句四平韵,后段九句四平韵</span> 吴元可</span>
更不成愁<span class="q">句</span>何曾是醉<span class="q">句</span>豆花雨后轻阴<span class="q">韵</span>似此心情自可<span class="q">句</span>多了闲吟<span class="q">韵</span>秋在西楼西畔<span class="q">句</span>秋较浅<span class="q">读</span>不似</span>
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情深<span class="q">韵</span>夜来月<span class="q">句</span>为谁瘦小<span class="q">句</span>尘镜羞临<span class="q">韵</span> 弹筝旧家伴侣<span class="q">句</span>记雁啼秋水<span class="q">句</span>下指成音<span class="q">韵</span>听未稳<span class="q">读</span>当</span>
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时自误<span class="q">句</span>又况如今<span class="q">韵</span>那是柔肠易断<span class="q">句</span>人间事<span class="q">读</span>独此难禁<span class="q">韵</span>雕笼近<span class="q">句</span>数声别似春禽<span class="q">韵
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·
此亦与晁词同,惟前段第四句减一字异。
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又一体<span class="q"> 双调九十五字,前段十句四平韵,后段十一句五平韵</span> 李清照</span>
香冷金猊<span class="q">句</span>被翻红浪<span class="q">句</span>起来慵自梳头<span class="q">韵</span>任宝奁尘满<span class="q">句</span>日上帘钩<span class="q">韵</span>生怕离怀别苦<span class="q">句</span>多少事<span class="q">读</span>欲说还</span>
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休<span class="q">韵</span>新来瘦<span class="q">句</span>非干病酒<span class="q">句</span>不是悲秋<span class="q">韵</span> 休休<span class="q">韵</span>这回去也<span class="q">句</span>千万遍阳关<span class="q">句</span>也则难留<span class="q">韵</span>念武陵人</span>
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远<span class="q">句</span>烟锁秦楼<span class="q">韵</span>惟有楼前流水<span class="q">句</span>应念我<span class="q">读</span>终日凝眸<span class="q">韵</span>凝眸处<span class="q">句</span>从今又添<span class="q">句</span>一段新愁<span class="q">韵
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·
此与晁词同,惟前后段第四句各减二字,换头句藏短韵,后段结句添二字、作四字两句异。 按,赵文“白玉搓成”词,前后段第四、五句“羡司花神女,有此清闲”、“怪天上冰轮,移下尘寰”,换头句“凭阑,几回澹月”,后结三句“聊寄与,诗人案头,冰雪相看”,正与此同。
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又一体<span class="q"> 双调九十五字,前后段各十句,四平韵</span> 张 翥</span>
琪树锵鸣<span class="q">句</span>春冰碎落<span class="q">句</span>玉盘珠泻还停<span class="q">韵</span>渐一丝风袅<span class="q">句</span>照飏青冥<span class="q">韵</span>疑把红牙趁节<span class="q">句</span>想有人<span class="q">读</span>记豆银</span>
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屏<span class="q">韵</span>何须教<span class="q">句</span>琵琶汉女<span class="q">句</span>锦瑟湘灵<span class="q">韵</span> 追思旧时胜赏<span class="q">句</span>醉几度西湖<span class="q">句</span>山馆池亭<span class="q">韵</span>惯倚歌花月<span class="q">句
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按舞娉婷<span class="q">韵</span>岁晚相逢客里<span class="q">句</span>且一尊<span class="q">读</span>同慰漂零<span class="q">韵</span>君休惜<span class="q">句</span>吴音朔调<span class="q">句</span>尽与吹听<span class="q">韵
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·
此与李词同,惟换头句不藏短韵异。
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夜合花 调见《琴趣外篇》。按,夜合花,合欢树也,唐韦应物诗:“夜合花开香满庭”,调名取此。</span>
夜合花<span class="q"> 双调九十七字,前段十句五平韵,后段十句六平韵</span> 晁补之</span>
百紫千红<span class="q">句</span>占春多少<span class="q">句</span>共推绝世花王<span class="q">韵</span>西都万户<span class="q">句</span>擅名不为姚黄<span class="q">韵</span>漫肠断巫阳<span class="q">韵</span>对沈香亭北新</span>
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妆<span class="q">韵</span>记清平调<span class="q">句</span>词成进了<span class="q">句</span>一梦仙乡<span class="q">韵</span> 天葩秀出无双<span class="q">韵</span>倚朝晖<span class="q">句</span>半如酣醉成狂<span class="q">韵</span>无言自</span>
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省<span class="q">句</span>檀心一点偷芳<span class="q">韵</span>念往事情伤<span class="q">韵</span>又新艳曾说滁阳<span class="q">韵</span>纵归来晚<span class="q">句</span>君王殿后<span class="q">句</span>别是风光<span class="q">韵
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·
此调始于此词,前后段第六句俱五字,换头第二句三字,第三句六字,宋人如此填者,止此一词,无别首可校,故可平可仄,详注于添字之史词之下。 此词前后段第八句,俱作上一下三句法,如史词之“向销凝里”、“把间言语”,曹词之“庆天申旦”、“献南天寿”,最为合法。
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又一体<span class="q"> 双调一百字,前段十一句五平韵,后段十一句六平韵</span> 史达祖</span>
冷截龙腰<span class="q">句</span>偷拏鸾爪<span class="q">句</span>楚山长锁秋云<span class="q">韵</span>梅华未落<span class="q">句</span>年年怨入江城<span class="q">韵</span>千嶂碧<span class="q">句</span>一声清<span class="q">韵</span>枉人间<span class="q">读</span>儿</span>
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女箫笙<span class="q">韵</span>共苍凉处<span class="q">句</span>琵琶湓浦<span class="q">句</span>长啸苏门<span class="q">韵</span> 当时低度西邻<span class="q">韵</span>天澹阑干欲暮<span class="q">句</span>曾赋高情<span class="q">韵</span>子期</span>
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老矣<span class="q">句</span>不堪殢酒重听<span class="q">韵</span>纤手静<span class="q">句</span>七星明<span class="q">韵</span>有新声<span class="q">读</span>应更魂惊<span class="q">韵</span>梦回人世<span class="q">句</span>寥寥夜月<span class="q">句</span>空照天津<span class="q">韵
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此词前后段第六句,俱作三... -->>
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